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JUNGLE JUSTICE By Regina Van Helvert To Screen At The Pan African Film Festival In Los Angeles



Ghanaian Media personality, Regina Van Helvert’s produced film Jungle Justice has been officially selected to screen at the largest black film festival in the world — the Pan African Film Festival in Los Angeles, USA.

The award winning film told the heart-rending tale of the horrendous instant justices in local communities of Ghana.

The African film industry is undoubtedly growing at an exponential rate and is gradually becoming the centre of interest in the world of creative arts. Hollywood in Nigeria for instance produces according to some estimates nearly 2000 movies annually.

Worldwide, the culture and creative arts industry has contributed immensely to the productivity of traditional sectors of the economy, serving as a catalyst for economic growth transient, investment, job creation, foreign exchange earnings, education and transmission of culture.

Films are cultural artifacts created by specific cultures to show a reflection of their way of life, and the effects on their lives. It’s a powerful tool for communication and method for education, learning and relearning deep seated socio-cultural narratives.

“As an award winning actress and a producer, my raison d’etre has always been to create great content and that has driven me to shoot films like JUNGLE JUSTICE and the SPECIAL ONE. My personal drive for creating innovative solutions to social problems leveraging my experience, led me to collaborate with other award-winning actors and actresses in Ghana to produce the award winning JUNGLE JUSTICE – a short film chronicling the ‘seemingly neglected’ mob injustice phenomenon, which destroys families, livelihoods and communities across the Western, Central and Southern parts of Africa in particular” — Regina Van Helvert opines

The movie JUNGLE JUSTICE has garnered a lot of attention because of its captivating storyline. The movie won best short film at the 2019 Ghana Movie Awards and has had several showings across the world. It will be shown at the 28th Annual Pan African Film Festival – the biggest black film festival in the world, taking place in Los Angeles, USA from (insert date) to (insert date). JUNGLE JUSTICE , produced by Regina Van-Helvert, was directed by Idowu Okeniyi, starring Ghanaian actors and actresses including; Regina Van-Helvert, Yvonne Nelson, John Dumelo, Emmanuel Nii Adom Quaye, Peter Richie, among others.

The Pan African Film Festival has seen patrons including Denzel Washington, Sidney Poitier, Danny Glover, Idris Elba, Mo’Nique, Kevin Hart, Jada Pinkett-Smith, Jamie Foxx, Forest Whitaker, Phylicia Rashad, Lou Gossett, Jr., Issa Rae, Taraji P. Henson, Trevor Noah, David Oweloyo, Omotola, and Chadwick Boseman. The list is endless!!!

“We are excited that this film JUNGLE JUSTICE has been selected for screening” — Regina stressed

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In line with its adherence to integrity and transparency, The African Union Commission and The International Committee of All Africa Music Awards (AFRIMA) have appointed PricewaterhouseCoopers (PwC) as the official international auditor of AFRIMA’s voting processes and applications as announced at a joint press conference and unveiling ceremony held at the PWC Experience Centre in Lagos, Nigeria on Wednesday October 20, 2021.

PwC will perform independent stress testing of AFRIMA’s voting platform, conduct vulnerability assessment to validate the integrity of the software deployed for improved security controls, carry out penetration testing covering the voting system and its interface, monitor public and academy voting portals, collate votes and present the sealed results during the award ceremony.

According to the Leader – Technology, media, Entertainment and telecommunication (TMET), PricewaterhouseCoopers (PwC), Femi Osinubi, “The partnership aims to provide technical assistance, support, and we are excited about this collaboration which has come about as a result of our experience and investment in the creative industry which contributed to the GDP of Africa in 2020. In addition, in recent years, the dynamism of African music has been reflected in the widespread recognition of works produced by African artists on the international scene. We are proud to partner with AFRIMA and support the growth of the industry.”

In her welcome address, Head of Culture, Social Affairs Division, African Union Commission, Angela Martins, said: “The Commission and the International Committee of AFRIMA wishes to announce the onboarding of PricewaterhouseCoopers as a partner for AFRIMA to audit AFRIMA processes as well as track and monitor the voting processes. This will enhance and validate the integrity of the AFRIMA platform. We wish to appreciate PwC for partnering and embarking on the AFRIMA journey with us. The African Union is celebrating the year of arts, culture and heritage under the theme, ‘Arts, Culture and Heritage: Levers for Building the Africa we want.

“The African Union recognizes the role young people play as drivers of change to foster development on the continent and to promote the creative industry and rewards artistes that have produced entertaining works even with the challenges posed by the Covid-19 pandemic.” She concluded.

The President and Executive Producer of AFRIMA, Mr. Mike Dada, said: “The engagement of PwC is to assure music fans, artistes and professionals in the music industry in Africa of the authenticity, independence and integrity of the AFRIMA’s voting process through the appointment of a globally renowned and credible third party to monitor, collate votes and deliver results at the award ceremony. The appointment of PWC after a meticulous process is in tandem with AFRIMA core values of FACE IT – Fairness, Authenticity, Creativity, Excellence, Integrity and Transparency which we promise the continent to always uphold.”

It is important to note that PWC is reputable for performing similar professional services to international events like OSCARS for decades.PWC is an organisation known for building trust in society and solving important problems as its core purpose.

Also present at the briefing were AFRIMA International Advisor, Rikki Stein; Associate Producer, AFRIMA, Olisa Adibua; Partner, TMT, PwC, Udochi Muogilim; and Leader – Private Wealth, PwC, Esiri Agbeyi among others.

The voting process for AFRIMA 2021 commenced on Monday, September 27, 2021 and will end on Friday November 20, 2021. The event will be held at Eko Hotel and Suites, Lagos, Nigeria from November 19-21, 2021 with live broadcast to 84 television stations in 109 countries.

Preceding the award ceremony is The African Music Business Summit (AMBS), a platform for business networking and interaction among music professionals which will take place on Friday, November 19, 2021@ 8.30am. While AFRIMA Music Fest, an evening of non-stop music concerts with live performances from African music superstars will take place on the same day of November 19 from 6.00pm.

Sunday November 21, comes with all the glitz and glam from Africa’s music superstars, celebrities, and international personalities @ AFRIMA Awards ceremony with Red carpet 4.30pm, Awards 7.30pm.

AFRIMA has been regarded as the ultimate celebration and recognition of African talents and creatives globally since 2014.

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Guinness And 3Music Network Hold Master Class For Young Creatives In Kumasi



Guinness and 3Music Network held an engaging Creative Master Class for over 50 young and budding creatives in Kumasi with the aim of spurring them to growth.

The 2-hour session held at the Golden Bean Hotel in Kumasi featured Incredible Zigi, a celebrated Dance Artist and choreographer, Oheneba Yaw Boamah, a multiple award-winning Fashion Designer/Creative Director of Abrantie the Gentleman, Baba Sadiq Abdulai Abu, Founder / Managing Director of 3 Music Networks (Organizers of 3 Music Awards) and George Britton, Talent Manager / CEO of GB Records, moderated by NYDJ. The facilitators shared their success stories, challenges, and tactics of excelling in their various crafts.

The Guinness Creative Master Class follows the successful outdooring of the Pan-African Guinness campaign, Black Shines Brightest. The campaign celebrates creativity, ingenuity, and the energy that resonates when individuals come together, fizzing with optimism, creativity and potential.

Speaking at the Creative Master Class, Head of Beers (Heineken Portfolio and Guinness Trademark) at Guinness Ghana, Roland Kwasi Larbi Ofori emphasized that Guinness, through the Bright House Experience platform and the Creative Master Class, aims to drivee thought leadership and conversations about the creative arts.

“In Ghana, there have been concerns within the creative arts industry on discussing specific topics and this stifles growth. We partnered with 3 Music Network today to debunk these myths and encourage creative arts enthusiasts to believe in themselves and overcome any fears they have because indeed, Black Shines Brightest.”

The Creative Masterclass, which consists of a series of panel discussions, will move to Tamale then Takoradi and finally in the capital city, Accra. Guinness will continue to inspire creatives to be proud and confident, to look to each other for inspiration, bring their ideas to life and take on opportunities.

Speaking to the young and aspiring creatives from Kumasi, Incredible Zigi said he had worked extremely hard for several years before making waves and eventually being recognized by Guinness to headline a campaign. He encouraged the young creatives to carve a niche for themselves by nurturing their creative skills and talents.

After the Master Class, The Bright House Experience, a fundamental part of the Guinness Black Shines Brightest campaign was unveiled in Kumasi. This is a model bar which serves as a cultural space and a hub for people to connect and energize each other with creativity, inspiration and, of course, a cold bottle of Guinness.

On his part, Baba Sadiq Abdulai Abu, Chief Executive Officer of 3 Music Network said, “Platforms like Black Shines Brightest by Guinness is one that the creative industry needs at this time of our industry growth. We are grateful to Guinness for this opportunity as this helps Ghanaian creatives showcase our potential, flair and imagination to the rest of the world unique way’’.

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Ghanaian Artist Cornelius Annor is now represented in Europe by MARUANI MERCIER Gallery



Ghanaian artist Cornelius Annor and his works will now be represented in Europe by Maruani Mercier Gallery

“We are proud to announce the European representation of Ghanaian artist Cornelius Annor. Depicting everyday Ghanaian sceneries, the emerging artist Cornelius Annor combines acrylic paint with fabric transfers to create large figurative paintings. The artist’s research revolves around family history, through family photo albums, as such exploring moments in time, from pre-colonial Ghana and Post-independent Ghana to our contemporary era,” reads part of the announcement by the company on Instagram.

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He also added;  I would like what I am creating right now to reach people of the highest stature so that they can see the positive imagery of Africa or Ghana because most of the positive images of black people focus on the African American story. I wanted to create positivity around here too so people can change their view about our beautiful continent.

Cornelius Annor was born in 1990 in Accra, Ghana. He is known as a figurative painter depicting everyday life often departing from childhood memories and family history. He completed his fine art studies at Ghanatta College of Art and Design, where fellow artists Amoako Boafo, Kwesi Botchway, Otis Kwame Kye Quaicoe and Emmanuel Taku also studied. From an early age, Annor developped a passion for painting, sketching his family, friends and even strangers. Annor lives and works in Ghana where he established C.Annor studio, a space dedicated to encouraging and supporting young talents and upcoming artists.

Depicting everyday Ghanaian sceneries, the emerging artist Cornelius Annor combines acrylic paint with fabric transfers to create large figurative paintings. The artist’s research revolves around family history, through family photo albums, as such exploring moments in time, from pre-colonial Ghana and Post-independent Ghana to our contemporary era. The characters in his paintings are old and young, male and female, sharing different emotions, often in the context of gathering. Incorporating objects and clothes from different periods, Annor plays with memory, history and temporality.

“For me archiving as a form has the potential to open up discussions on lost and forgotten histories and its politics. And I intend to bring into presence these past histories through my works as a way of creating a room of memory which can migrate my audience to a particular moment in time and reflect on themselves.”

Annor invites the viewer to connect with the figures in ambiguous yet completely present and familiar ways. These seemingly ordinary moments of intimacy, gathering and entertainment also set the focus on the details of his fabric transfer technique as well as his photography collages merging tradition and contemporaneity in his work. Departing from archival photographs from family albums or from the internet, he reconfigures his references using photoshop with the idea of inter-migrating cultures, identities and histories. The combination of collages with painting disrupts the depth and perspective within the painting. Through his distinctive practice Cornelius Annor attempts to change our reading of history.

Annor’s work has been exhibited throughout Africa and the U.S., including at the Ghana National Museum and the Accra Art Center.


Founded in 1995, MARUANI MERCIER now represents twenty contemporary artists alongside it’s programme of museum quality historical exhibitions whilst continuing to build on the legacy of a number of renowned estates. Showing established artists alongside young and emerging new talent, the gallery promotes an artistic dialogue between different generations. It also contributes to new scholarship across its programmes by inviting prominent art historians and curators to collaborate on its exhibition catalogues and artist texts. Many of the gallery´s artists participate in international exhibitions and are today placed in some of the most important museums and private collections around the world.

Initially MARUANI MERCIER´s primary programme focused on celebrated American artists from the 1980s who, working within the medium of painting and sculpture, sought to reflect the aesthetic and social concerns of their time. Including; Ross Bleckner, Francesco Clemente, Ron Gorchov, Peter Halley, Jonathan Lasker, and Sue Williams.

Over the years, the gallery looked to a new generation of artists who, working within different media, also addressed topical subjects relating to history, politics, the environment, and questions of identity and authorship. Amongst these, Radcliffe Bailey, Esiri Erheriene-Essi and Hank Willis Thomas examine topics surrounding Black history and culture whilst Lyle Ahston Harris looks at societal constructs of sexuality and race. Jaclyn Conley´s beautiful and nostalgic paintings present a poignant rumination on the social and political concerns of American life, whilst Tony Matelli confronts issues of isolation and impermanence with humour and irony.

In 2001, MARUANI MERCIER expanded to include an additional gallery in the historic art town Knokke followed in 2018 by a 15,000 sq ft exhibition space in Zaventem called THE WAREHOUSE. In addition to the celebrated exhibitions held there, in 2021 THE WAREHOUSE hosted Kwesi Botchway and Cornelius Annor at its artist residency. MARUANI MERCIER will remain committed to exhibiting the artist that it hosts there across its galleries.

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